Parveen with Jaun Elia 

Her own life, be that as it may, was profoundly heartbreaking. The moderate and man-centric qualities her family held kept them from tolerating her as a genuine artist, who partook at mushairas (verse recitations) and examined her work with different journalists. Her troubled union with Dr. Naseer Ali, with whom she had one child, finished in an unpleasant separation. Shakir's life reached an unexpected conclusion in 1994 after a lethal fender bender. A companion and individual contemporary Fatema Hassan had said, Shakir was a casualty of moderate and conventional standards. 

Parveen with Jaun Elia 

Shakir's verse was in the ghazal and free structure. Abstract Scholar C.M. Naim clarified that while the permits perusers understanding into the author's psyche through their elaboration, the ghazal requires compactness of language. Shakir dominated at both. There as of now existed an ordinance of female authors in Urdu like Zahra Nigah, Fahmida Riaz, Kishwar Naheed, who expounded on female encounters in the Sub-Continent. However, more along these lines, she introduced special methods that permitted the cutting edge female voice space in the customary male-overwhelmed Urdu Language. 

The Cover of Khushboo (Fragrance) 

In Khushboo, she composed the sonnets as a young lady, not a lady, permeated with blamelessness, energy, and mystique. The title of the book says, "When the breeze kissed the bloom, the aroma was conceived". A potential understanding could be that Shakir's permanent charms as the bloom can just bloom with the assistance of the breeze of the other. For Shakir, and other female writers of the time, love is a common understanding that should be maintained. Rather than making a thought of a darling, love for the female writer is proportional, instead of how love affected them.